Sugar Plantation Mill Yard, Antigua, West Indies, 1823

Description

Original caption, A Mill Yard, on Gamble's Estate. Shows a windmill with its sails into the wind; canes being brought in ox carts, slaves heading cane loads into the mill rollers and stacking cane stalks. A black driver is shown at the base of the windmill, and the white owner/manager is overseeing the scene. Little is known of William Clark although he was probably a manager or overseer of plantations in Antigua. The ten prints in the collection (only 9 of which are shown on this website) are based on his drawings, converted into prints by professional printmakers. All of the prints are shown and extensively described in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (New Haven : Yale Center for British Art in association with Yale University Press, 2007), pp. 318-321; the descriptions in the Yale publication are based on Clark's unpaginated text

Source

William Clark, Ten Views In the Island of Antigua, in Which are Represented the Process of Sugar Making.... From Drawings Made by William Clark, During a Residence of Three Years in the West Indies (London,1823). Image shown here is from the John Carter Brown Library at Brown University. Also published in Ladies' Society for Promoting the Early Education of Negro Children (London, ca. 1833).

Creator

Clark, William

Language

English

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

NW0008

Spatial Coverage

Caribbean--Antigua

Citation

"Sugar Plantation Mill Yard, Antigua, West Indies, 1823", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed October 15, 2021, http://www.slaveryimages.org/s/slaveryimages/item/1142
Original caption, A Mill Yard, on Gamble's Estate. Shows a windmill with its sails into the wind; canes being brought in ox carts, slaves heading cane loads into the mill rollers and stacking cane stalks. A black driver is shown at the base of the windmill, and the white owner/manager is overseeing the scene. Little is known of William Clark although he was probably a manager or overseer of plantations in Antigua. The ten prints in the collection (only 9 of which are shown on this website) are based on his drawings, converted into prints by professional printmakers. All of the prints are shown and extensively described in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (New Haven : Yale Center for British Art in association with Yale University Press, 2007), pp. 318-321; the descriptions in the Yale publication are based on Clark's unpaginated text
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