Slave Market Scene on the Kambia River, Coast of Africa

Description

In a crowd of people, a European examines a slave, while another is being whipped. A slave ship at sea is in background. The Kambia River is in the Forests of West Africa region. This woodcut is a copy of a 64 x 90 inch oil painting (titled, Traite d'Esclaves dans l'Ouest de l'Afrique), done in 1840 by Francois-Auguste Biard (1798-1882), a French painter. The painting, today located in the Wilberforce House Museum, Hull (England), was first exhibited at the Salon (Paris) of 1835. There is no evidence that Biard ever witnessed this scene. Color images of the painting are published in Marcus Wood, Blind Memory (Manchester Univ. Press, 2000), plate 5, and Hugh Honour, The Image of the Black in Western Art (Menil Foundation, Harvard University Press, 1989), vol. 4, pt. 1, fig. 89. The black/white image is also reprinted in James Walvin, Slavery and the Slave Trade (Univ. Press of Mississippi, 1983, fig. 17) but with a misleading caption and a misspelling of the artist's name.

Source

Richard Drake, Revelations of a Slave Smuggler (New York, 1860), opposite title page.

Creator

Biard, Francois-Auguste

Language

French

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

C003

Spatial Coverage

Africa--Forests

Citation

"Slave Market Scene on the Kambia River, Coast of Africa", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed April 2, 2020, http://www.slaveryimages.org/s/slaveryimages/item/1938
In a crowd of people, a European examines a slave, while another is being whipped. A slave ship at sea is in background. The Kambia River is in the Forests of West Africa region. This woodcut is a copy of a 64 x 90 inch oil painting (titled, Traite d'Esclaves dans l'Ouest de l'Afrique), done in 1840 by Francois-Auguste Biard (1798-1882), a French painter. The painting, today located in the Wilberforce House Museum, Hull (England), was first exhibited at the Salon (Paris) of 1835. There is no evidence that Biard ever witnessed this scene. Color images of the painting are published in Marcus Wood, Blind Memory (Manchester Univ. Press, 2000), plate 5, and Hugh Honour, The Image of the Black in Western Art (Menil Foundation, Harvard University Press, 1989), vol. 4, pt. 1, fig. 89. The black/white image is also reprinted in James Walvin, Slavery and the Slave Trade (Univ. Press of Mississippi, 1983, fig. 17) but with a misleading caption and a misspelling of the artist's name.
IIIF Manifest Download