Boutique de la rue du Val-Longo

Description

"Boutique on Val-Longo Road" (caption translation). This engraving shows slaves in a building on the street of the slave market in Rio de Janeiro. Adults ranged along benches, children were playing on the floor; two Europeans present. Jean-Baptiste Debret (1768–1848) was a French painter, who produced lithographs depicting people during his residence in Brazil from 1816 to 1831. The Portuguese court commissioned Debret to paint their portraits, but he took a particular interest painting enslaved Africans and indigenous peoples. See also Jean Baptiste Debret, Viagem Pitoresca e Historica ao Brasil ([Paris, 1854]; Editora da Universidade de Sao Paulo, 1989).

Source

Jean Baptiste Debret, Voyage Pittoresque et Historique au Bresil (Paris, 1834-39), vol. 2, plate 23, p. 78. Copy in the John Carter Brown Library at Brown University.

Creator

Debret, Jean Baptiste

Date Created

1816-1831

Language

French

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

H015

Spatial Coverage

South America--Brazil--Rio de janeiro

Citation

"Boutique de la rue du Val-Longo", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed February 18, 2020, http://www.slaveryimages.org/s/slaveryimages/item/1978
"Boutique on Val-Longo Road" (caption translation). This engraving shows slaves in a building on the street of the slave market in Rio de Janeiro. Adults ranged along benches, children were playing on the floor; two Europeans present. Jean-Baptiste Debret (1768–1848) was a French painter, who produced lithographs depicting people during his residence in Brazil from 1816 to 1831. The Portuguese court commissioned Debret to paint their portraits, but he took a particular interest painting enslaved Africans and indigenous peoples. See also Jean Baptiste Debret, Viagem Pitoresca e Historica ao Brasil ([Paris, 1854]; Editora da Universidade de Sao Paulo, 1989).
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