Field Negro, Sugar Cane in Background

Description

Bridgens described how "the hoe is the only tool used for making cane holes. The laborer also carries a cutlass and crook, the latter to assist in the removal of dead leaves from the cane plant; on the hoe handle, he also carries a sort of sandal worn when in the woods or to protect the feet from thorns in newly cultivated land. On his right arm there is a too-too in a coarse netting of linen, termed by the Negroes tie-tie; the too-too is a calabash canteen for holding water." A sculptor, furniture designer and architect, Richard Bridgens was born in England in 1785, but in 1826 he moved to Trinidad where his wife had inherited a sugar plantation, St. Clair. Although he occasionally returned to England, he ultimately lived in Trinidad for seven years and died in Port of Spain in 1846. Bridgens' book contains 27 plates, thirteen of which are shown on this website. The plates were based on drawings made from life and were done between 1825, when Bridgens arrived in Trinidad, and 1836, when his book was published. Although his work is undated, the title page of a copy held by the Beinecke Rare Book Room at Yale University has a front cover with a publication date of 1836, the date usually assigned to this work by major libraries whose copies lack a title page. Bridgens' racist perspectives on enslaved Africans and his defense of slavery are discussed in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale University Press, 2007), pp. 460-461. Bridgens' life is discussed extensively along with discussion of his drawings and presentation of many details on slave life in Trinidad in Judy Raymond, The Colour of Shadows: Images of Caribbean Slavery (Coconut Beach, Florida: Caribbean Studies Press, 2016). Raymond's book, which is an essential source for any study of Bridgens, also includes a number of unpublished sketches of Trinidadian slave life. See also Brian Austen, Richard Hicks Bridgens (Oxford Art Online/Grove Art Online).

Source

Richard Bridgens, West India Scenery...from sketches taken during a voyage to, and residence of seven years in ... Trinidad (London, 1836), plate 14.

Creator

Bridgens, Richard

Language

English

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

BRIDG-2_IMG

Spatial Coverage

Caribbean--Trinidad

Citation

"Field Negro, Sugar Cane in Background", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed September 18, 2020, http://www.slaveryimages.org/s/slaveryimages/item/2506
Bridgens described how "the hoe is the only tool used for making cane holes. The laborer also carries a cutlass and crook, the latter to assist in the removal of dead leaves from the cane plant; on the hoe handle, he also carries a sort of sandal worn when in the woods or to protect the feet from thorns in newly cultivated land. On his right arm there is a too-too in a coarse netting of linen, termed by the Negroes tie-tie; the too-too is a calabash canteen for holding water." A sculptor, furniture designer and architect, Richard Bridgens was born in England in 1785, but in 1826 he moved to Trinidad where his wife had inherited a sugar plantation, St. Clair. Although he occasionally returned to England, he ultimately lived in Trinidad for seven years and died in Port of Spain in 1846. Bridgens' book contains 27 plates, thirteen of which are shown on this website. The plates were based on drawings made from life and were done between 1825, when Bridgens arrived in Trinidad, and 1836, when his book was published. Although his work is undated, the title page of a copy held by the Beinecke Rare Book Room at Yale University has a front cover with a publication date of 1836, the date usually assigned to this work by major libraries whose copies lack a title page. Bridgens' racist perspectives on enslaved Africans and his defense of slavery are discussed in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale University Press, 2007), pp. 460-461. Bridgens' life is discussed extensively along with discussion of his drawings and presentation of many details on slave life in Trinidad in Judy Raymond, The Colour of Shadows: Images of Caribbean Slavery (Coconut Beach, Florida: Caribbean Studies Press, 2016). Raymond's book, which is an essential source for any study of Bridgens, also includes a number of unpublished sketches of Trinidadian slave life. See also Brian Austen, Richard Hicks Bridgens (Oxford Art Online/Grove Art Online).
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