Yarrow Mamout, 1822

Description

For biographical details on the subject of this painting, see image 1029. This little known painting was done by the American artist James Alexander Simpson, a sometime teacher of painting and drawing at Georgetown College. D.C. The Simpson portrait appears to have been painted from life and is not a copy of the much better known 1819 portrait (done when Yarrow Mamout was about 83 years old) by the celebrated American painter, Charles Willson Peale (see image I029 on this website). The Simpson painting was done in 1822, about a year before the subject's death. In this portrait, Mamout seems to be wearing the same clothing, aside from the leather coat, as in the Peale painting. Moreover, he is holding a pipe which appears to be of West African origin or design; such pipes had short stems and a reed or wood tube was inserted into the hole at the pipe's stem in order to lengthen the stem. The most comprehensive account of Yarrow Mamout's life (and that of his descendants) is in James H. Johnston, From Slave Ship to Harvard: Yarrow Mamout and the history of an African American family (Fordham University Press, 2012); the Peale and Simpson portraits are discussed in detail on pp. 80-100. We thank Johnston for drawing our attention to the Simpson portrait and for sharing his research on Yarrow Mamout, and to Jerry McCoy, Archivist/Librarian, Georgetown Branch Library, for providing a digital copy of the painting.

Source

Original oil painting in the Peabody Room, Georgetown Branch, District of Columbia Public Library. Digital copy of painting, courtesy, Georgetown Branch, District of Columbia Public Library.

Creator

Simpson, James Alexander

Date Created

1822

Language

English

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

mamout

Spatial Coverage

Africa--Senegambia
North America--Washington D.C.

Citation

"Yarrow Mamout, 1822", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed February 23, 2020, http://www.slaveryimages.org/s/slaveryimages/item/3114
For biographical details on the subject of this painting, see image 1029. This little known painting was done by the American artist James Alexander Simpson, a sometime teacher of painting and drawing at Georgetown College. D.C. The Simpson portrait appears to have been painted from life and is not a copy of the much better known 1819 portrait (done when Yarrow Mamout was about 83 years old) by the celebrated American painter, Charles Willson Peale (see image I029 on this website). The Simpson painting was done in 1822, about a year before the subject's death. In this portrait, Mamout seems to be wearing the same clothing, aside from the leather coat, as in the Peale painting. Moreover, he is holding a pipe which appears to be of West African origin or design; such pipes had short stems and a reed or wood tube was inserted into the hole at the pipe's stem in order to lengthen the stem. The most comprehensive account of Yarrow Mamout's life (and that of his descendants) is in James H. Johnston, From Slave Ship to Harvard: Yarrow Mamout and the history of an African American family (Fordham University Press, 2012); the Peale and Simpson portraits are discussed in detail on pp. 80-100. We thank Johnston for drawing our attention to the Simpson portrait and for sharing his research on Yarrow Mamout, and to Jerry McCoy, Archivist/Librarian, Georgetown Branch Library, for providing a digital copy of the painting.
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